I AM UNDONE Vol. 10
10th April 2026
I AM UNDONE VOL. 10
April 10th, 2026
Event starts: 19.00
Place: Dramatikkens hus - Tøyenbekken 34, 0188 Oslo
Free entry
I AM UNDONE is a process-oriented event for performing arts in Oslo, curated by the artist collective LiLi Re. The concept of I AM UNDONE is based on the understanding that art is in perpetual development, and the event gives focus to raw, unpolished, new material.
On Friday April 10th we invite you to experience five distinct performances by Hanna A. Lokøy & Aikaterini Dimitrelli, Adrienne Herr, John Andrew Wilhite, Tanja Orning & Natali Abrahamsen Garner, Christina Smeby, Patrice Demoniere & Anne Gerd Grimsby Haarr, and Molly Engblom & Jennie Bergsli.
I AM UNDONE offers a rare glimpse into the artistic process. The event brings together artists across disciplines, creating space for bold performative actions that challenge methods and spark new ideas.
Each edition of I AM UNDONE finds a new home, shaping itself in response to its surroundings. Vol. 10 will be held at Dramatikkens hus, a national development and resource centre for new dramatic writing, on the 10th of April 2026 at 19.00.
Artists:
Hanna A. Lokøy & Aikaterini Dimitrelli
Hanna A. Lokøy is a choreographer and performer from Stavanger based in Copenhagen. Her artistic practice deviates from choreographic scoring and she works actively with bodily distortion and emotional streams in her different projects. Aikaterini Dimitrelli is an interdisciplinary dance artist from Athens based in Copenhagen. Her artistic practice interplays between performance and writing. Often developed through texts, scores, improvisation, and embodied research. Tearing Up is an evocative exploration including a scattered slide-show of movements and strained breath. The practice contains suppressed emotions, the sensation of tearing up into eternity, as well as the desire for a release.
Adrienne Herr
Adrienne Herr is an artist and poet whose practice explores the plasticity of speech. By delaying, stretching, stuttering, breaking, and juxtaposing phonetic components, she disassembles phrases and words. Regarding the voice as a tool for the production of authenticity, she develops polyphonic compositions to explore and subvert this vis-à-vis quick juxtapositions and reenactments of speech in multiple contexts and role plays. Through exhaustive scoring methods, her work illustrates a perceptual slippage between the immediate and the reproduced or staged.
For I AM UNDONE, Adrienne Herr will share new work for solo voice that explores enunciation and mumbling.
John Andrew Wilhite
Composer and double bassist John Andrew Wilhite creates interdisciplinary work exploring the borders between sound, meaning, and memory. Signal Cloth/Three Cartographic Blinds was originally a site-specific piece for Harpefoss Hotell's Okulus Symposium, with an amplified string quartet and recorded voices encountered by audiences walking through the landscape. This experimental adaptation for string duo (Tanja Orning and Wilhite) with live voice (Natali Abrahamsen Garner) explores questions of place when adapting a site specific work to a theatre setting.
Christina Smeby, Patrice Demoniere & Anne Gerd Grimsby Haarr
STORY OF THE EYE is a theatre project based on the novel with the same name, written by George Bataille in 1928. The young male narrator and his friend Simone embark on a dark journey of erotic experiments that becomes increasingly disturbing. They meet the innocent girl Marcelle, whom they drag into their sexual experimentation. The performance is exploring eroticism, ethics, taboo and the meaning of transgression.
The artistic team is director and dramaturg Christina Smeby, actor Patrice Demoniere and co-director/producer Anne Gerd Grimsby Haarr. Music by Leif Haaland.
Jennie Bergsli & Molly Engblom
Jennie Bergsli (NO) and Molly Engblom (SE) work across dance, choreography, performance, and visual art. Crushmodes is the working title of their ongoing project, moving through cracks and spaces where emotion, body, and material interact. The project develops choreographic proposals through dance, sound, and non-human actors, drawing inspiration from social dances where movement is shaped by affect, collective interaction, and physical intensity.
In collaboration with composer Vilde Tuv and craftsman Vincent Dumay, the work is being developed and will be presented at MDT in Stockholm in November and at Spriten Kunsthall in 2027, supported by Kulturrådet and co-produced by MDT.
Curated by: LiLi Re
Graphic design: Ginevra Dondina
Sound: Ole Jørgen Løvås
Light: Lunga Majola
April 10th, 2026
Event starts: 19.00
Place: Dramatikkens hus - Tøyenbekken 34, 0188 Oslo
Free entry
I AM UNDONE is a process-oriented event for performing arts in Oslo, curated by the artist collective LiLi Re. The concept of I AM UNDONE is based on the understanding that art is in perpetual development, and the event gives focus to raw, unpolished, new material.
On Friday April 10th we invite you to experience five distinct performances by Hanna A. Lokøy & Aikaterini Dimitrelli, Adrienne Herr, John Andrew Wilhite, Tanja Orning & Natali Abrahamsen Garner, Christina Smeby, Patrice Demoniere & Anne Gerd Grimsby Haarr, and Molly Engblom & Jennie Bergsli.
I AM UNDONE offers a rare glimpse into the artistic process. The event brings together artists across disciplines, creating space for bold performative actions that challenge methods and spark new ideas.
Each edition of I AM UNDONE finds a new home, shaping itself in response to its surroundings. Vol. 10 will be held at Dramatikkens hus, a national development and resource centre for new dramatic writing, on the 10th of April 2026 at 19.00.
Artists:
Hanna A. Lokøy & Aikaterini Dimitrelli
Hanna A. Lokøy is a choreographer and performer from Stavanger based in Copenhagen. Her artistic practice deviates from choreographic scoring and she works actively with bodily distortion and emotional streams in her different projects. Aikaterini Dimitrelli is an interdisciplinary dance artist from Athens based in Copenhagen. Her artistic practice interplays between performance and writing. Often developed through texts, scores, improvisation, and embodied research. Tearing Up is an evocative exploration including a scattered slide-show of movements and strained breath. The practice contains suppressed emotions, the sensation of tearing up into eternity, as well as the desire for a release.
Adrienne Herr
Adrienne Herr is an artist and poet whose practice explores the plasticity of speech. By delaying, stretching, stuttering, breaking, and juxtaposing phonetic components, she disassembles phrases and words. Regarding the voice as a tool for the production of authenticity, she develops polyphonic compositions to explore and subvert this vis-à-vis quick juxtapositions and reenactments of speech in multiple contexts and role plays. Through exhaustive scoring methods, her work illustrates a perceptual slippage between the immediate and the reproduced or staged.
For I AM UNDONE, Adrienne Herr will share new work for solo voice that explores enunciation and mumbling.
John Andrew Wilhite
Composer and double bassist John Andrew Wilhite creates interdisciplinary work exploring the borders between sound, meaning, and memory. Signal Cloth/Three Cartographic Blinds was originally a site-specific piece for Harpefoss Hotell's Okulus Symposium, with an amplified string quartet and recorded voices encountered by audiences walking through the landscape. This experimental adaptation for string duo (Tanja Orning and Wilhite) with live voice (Natali Abrahamsen Garner) explores questions of place when adapting a site specific work to a theatre setting.
Christina Smeby, Patrice Demoniere & Anne Gerd Grimsby Haarr
STORY OF THE EYE is a theatre project based on the novel with the same name, written by George Bataille in 1928. The young male narrator and his friend Simone embark on a dark journey of erotic experiments that becomes increasingly disturbing. They meet the innocent girl Marcelle, whom they drag into their sexual experimentation. The performance is exploring eroticism, ethics, taboo and the meaning of transgression.
The artistic team is director and dramaturg Christina Smeby, actor Patrice Demoniere and co-director/producer Anne Gerd Grimsby Haarr. Music by Leif Haaland.
Jennie Bergsli & Molly Engblom
Jennie Bergsli (NO) and Molly Engblom (SE) work across dance, choreography, performance, and visual art. Crushmodes is the working title of their ongoing project, moving through cracks and spaces where emotion, body, and material interact. The project develops choreographic proposals through dance, sound, and non-human actors, drawing inspiration from social dances where movement is shaped by affect, collective interaction, and physical intensity.
In collaboration with composer Vilde Tuv and craftsman Vincent Dumay, the work is being developed and will be presented at MDT in Stockholm in November and at Spriten Kunsthall in 2027, supported by Kulturrådet and co-produced by MDT.
Curated by: LiLi Re
Graphic design: Ginevra Dondina
Sound: Ole Jørgen Løvås
Light: Lunga Majola
Supported by
Norwegian Art Council and Bergesenstiftelsen